Reel Rave!
Jul 11, 2008
REVIEW: College Road Trip
(Movie poster image from Wikipedia)
Even though I sorta-kinda-slightly enjoyed it, I figured Martin Lawrence couldn't sink any lower after doing Wild Hogs. Boy was I ever wrong. This from the man who cracked me up on the small screen in 'Martin' (anyone remember that show?) and who, alongside Will Smith, kicked butt, ran amok and wreaked havoc in Bad Boys and Bad Boys 2 on the big screen (there's talk of a BB3).
Forget Raven-Symoné's annoying role as college-bound-all-grown-up-now daughter 'Melanie Porter' and Kym Whitley's so-so performance as 'Mama Porter'. College Road Trip was a new low for Lawrence. How low? Any lower and he would've found himself in China (just in time for the Olympics).
However, two things saved his bacon. First, this is a Disney movie. As such, I shouldn't have been suprised that it turned out to be a cheesy, sappy, boring, lame-duck, irritatingly stupid, family-type movie. The second was 'Albert.' Throwing a pig in there and having it make an ass (asses, pigs, it's a regular barnyard) of overbearing-over-protective-daddy 'Chief James Porter' (Martin Lawrence) was cheesy and desperate, but it scored a few points with me.
The tagline for the film is: "They just can't get there fast enough" (where's there, the bathroom?) Instead, it should've been: "This movie can't finish fast enough."
(Movie poster image from Wikipedia)
Even though I sorta-kinda-slightly enjoyed it, I figured Martin Lawrence couldn't sink any lower after doing Wild Hogs. Boy was I ever wrong. This from the man who cracked me up on the small screen in 'Martin' (anyone remember that show?) and who, alongside Will Smith, kicked butt, ran amok and wreaked havoc in Bad Boys and Bad Boys 2 on the big screen (there's talk of a BB3).
Forget Raven-Symoné's annoying role as college-bound-all-grown-up-now daughter 'Melanie Porter' and Kym Whitley's so-so performance as 'Mama Porter'. College Road Trip was a new low for Lawrence. How low? Any lower and he would've found himself in China (just in time for the Olympics).
However, two things saved his bacon. First, this is a Disney movie. As such, I shouldn't have been suprised that it turned out to be a cheesy, sappy, boring, lame-duck, irritatingly stupid, family-type movie. The second was 'Albert.' Throwing a pig in there and having it make an ass (asses, pigs, it's a regular barnyard) of overbearing-over-protective-daddy 'Chief James Porter' (Martin Lawrence) was cheesy and desperate, but it scored a few points with me.
The tagline for the film is: "They just can't get there fast enough" (where's there, the bathroom?) Instead, it should've been: "This movie can't finish fast enough."
Labels: College Road Trip, Martin Lawrence, review
Jul 10, 2008
REVIEW: Batman: Gotham Knight
(Image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
Holy anime Batman!
If you like Batman and you like anime, then Batman: Gotham Knight should be right up you alley, street, thoroughfare, whatever.
B:GK is the first time, EVER, that one of the most enduring comic book characters of all time has be touched by Japanese animation [for the newborns, also known as anime].
It was figured by the powers-that-be that casting the Shadow of the Bat with a new anime light would be a sure sell, plus it would be an excellent way of collecting the pocket change of Bat-fans and anime-junkies ahead of The Dark Knight.
For me, Batman: Gotham Knight did not meet my expectations. Don't get me wrong, the idea that anime could capture the essence of Batman wasn't a bad one. The execution of that idea, however, comes crazily close to making a joker out of B:GK.
The story [or more accurately six interconnecting stories] fills in the gaps between Batman Returns and the upcoming Dark Knight. While I will not spill the beans on the story for each of the segments, I will say that the various animation styles used for each [while interesting] ended up segmenting the tale more than I found desirable. One segment 'Field Test' had Bruce Wayne looking more pubescent than playboy-ish. Another segment [you'll see which one] gives a glimpse of the Batmobile from a different time.
Don't get me wrong, each of the anime styles featured brought something different to the film, but the uniqueness of each style kept a disjointed feel constantly apparent. Imagine a Batman comic cobbled together with artwork from Jim Lee, Stan Lee, and Alex Ross, or a puzzle done by an enthusiastic three year-old.
Batman: Gotham Knight did mark Kevin Conroy's first return to voicing what is perhaps his defining role as Bruce Wayne/Batman. While Conroy's voice-acting brought a sense of the familiar to B:GK it did not fit as well as it might have if the film did not skip through several different anime styles.
A couple of the segments, 'Crossfire' and 'Deadshot', do capture the essence of Batman quite well IMHO, easily making them my favourites, while the lead-in segment 'Have I got a Story for You' does an excellent job of showing how the Bat becomes an urban legend.
Hiccups aside, Batman: Gotham Knight does a decent job of bridging the gap from Batman Returns in terms of the progress of Batman as a character, and his battle against the darkness of Gotham. I wouldn't advise anyone who is following that same progression to skip this anthology film before watching Dark Knight.
(Image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
Holy anime Batman!
If you like Batman and you like anime, then Batman: Gotham Knight should be right up you alley, street, thoroughfare, whatever.
B:GK is the first time, EVER, that one of the most enduring comic book characters of all time has be touched by Japanese animation [for the newborns, also known as anime].
It was figured by the powers-that-be that casting the Shadow of the Bat with a new anime light would be a sure sell, plus it would be an excellent way of collecting the pocket change of Bat-fans and anime-junkies ahead of The Dark Knight.
For me, Batman: Gotham Knight did not meet my expectations. Don't get me wrong, the idea that anime could capture the essence of Batman wasn't a bad one. The execution of that idea, however, comes crazily close to making a joker out of B:GK.
The story [or more accurately six interconnecting stories] fills in the gaps between Batman Returns and the upcoming Dark Knight. While I will not spill the beans on the story for each of the segments, I will say that the various animation styles used for each [while interesting] ended up segmenting the tale more than I found desirable. One segment 'Field Test' had Bruce Wayne looking more pubescent than playboy-ish. Another segment [you'll see which one] gives a glimpse of the Batmobile from a different time.
Don't get me wrong, each of the anime styles featured brought something different to the film, but the uniqueness of each style kept a disjointed feel constantly apparent. Imagine a Batman comic cobbled together with artwork from Jim Lee, Stan Lee, and Alex Ross, or a puzzle done by an enthusiastic three year-old.
Batman: Gotham Knight did mark Kevin Conroy's first return to voicing what is perhaps his defining role as Bruce Wayne/Batman. While Conroy's voice-acting brought a sense of the familiar to B:GK it did not fit as well as it might have if the film did not skip through several different anime styles.
A couple of the segments, 'Crossfire' and 'Deadshot', do capture the essence of Batman quite well IMHO, easily making them my favourites, while the lead-in segment 'Have I got a Story for You' does an excellent job of showing how the Bat becomes an urban legend.
Hiccups aside, Batman: Gotham Knight does a decent job of bridging the gap from Batman Returns in terms of the progress of Batman as a character, and his battle against the darkness of Gotham. I wouldn't advise anyone who is following that same progression to skip this anthology film before watching Dark Knight.
Labels: anime, Batman, comics, Gotham Knight, Marc Gibson, review
Jul 5, 2008
WAITING to see: The Day the Earth Stood Still
A remake of the 1951 film of the same name, the 2008 version features Keanu Reeves, Jennifer Connelly (she's a cutie!), Kathy Bates, Jon Hamm (who?), Jaden Smith (yes, Will Smith's son) and John Cleese (of Fawlty Towers fame).
The trailer doesn't reveal much. Reeves plays an alien in human form on Earth (not sure how he got there), who has knowledge of an impending attack from outerspace/aliens. From the looks of the trailer, Reeves is cool, collected, nuetral and somewhat indifferent (Matrix, Constantine, Speed). A few scenes show some bright light, a huge floating sphere and what looks like a swarm of dust or debri that disintegrates everything in its path. Connelly plays a scientist that investigates 'Klaatu' (Reeves' alien character). Earth's future seems to be tied to her.
Looks like a good one!
Sources:
The Day the Earth Stood Still Teaser Trailer (Trailer Addict)
The Day the Earth Stood Still (2008) (IMDb)
The Day the Earth Stood Still (1951) (IMDb)
The Day the Earth Stood Still (2008 film) (Wikipedia)
The Day the Earth Stood Still (1951 film) (Wikipedia)
A remake of the 1951 film of the same name, the 2008 version features Keanu Reeves, Jennifer Connelly (she's a cutie!), Kathy Bates, Jon Hamm (who?), Jaden Smith (yes, Will Smith's son) and John Cleese (of Fawlty Towers fame).
The trailer doesn't reveal much. Reeves plays an alien in human form on Earth (not sure how he got there), who has knowledge of an impending attack from outerspace/aliens. From the looks of the trailer, Reeves is cool, collected, nuetral and somewhat indifferent (Matrix, Constantine, Speed). A few scenes show some bright light, a huge floating sphere and what looks like a swarm of dust or debri that disintegrates everything in its path. Connelly plays a scientist that investigates 'Klaatu' (Reeves' alien character). Earth's future seems to be tied to her.
Looks like a good one!
Sources:
The Day the Earth Stood Still Teaser Trailer (Trailer Addict)
The Day the Earth Stood Still (2008) (IMDb)
The Day the Earth Stood Still (1951) (IMDb)
The Day the Earth Stood Still (2008 film) (Wikipedia)
The Day the Earth Stood Still (1951 film) (Wikipedia)
Labels: cutie, Jennifer Connelly, Keanu Reeves, NOT WAITING to see, The Day the Earth Stood Still
Jul 4, 2008
REVIEW: Hancock
(Movie poster image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
In my opinion Will Smith's extended record of hits and misses continues with his latest flick Hancock. With a wash of superhero/comic themed movies coming out in recent years [and Hancock being one of four scheduled for release this summer alone] many of you might be thinking to take a pass on Hancock. My advice; don't.
I found Hancock made up for Smith last film, the huge miss 'I am Legend' with this tale about an apathetic 'last of his kind' uberman struggling to find his place and to accept his purpose among humanity.
Hancock has more substance than would be normally expected for a summer blockbuster without taking itself too seriously. Although Hancock doesn't come anywhere close to the new standard set by box office monster 'Iron Man' for comic book/superhero themed flicks, I think that Hancock easily outdid the other Marvel release 'Incredible Hulk'.
Hancock has just about everything that one could want in an enjoyable movie, and the ladies can look forward to some shots of a half naked Smith [sorry guys Charlize Theron doesn't go anywhere near T&A].
(Movie poster image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
In my opinion Will Smith's extended record of hits and misses continues with his latest flick Hancock. With a wash of superhero/comic themed movies coming out in recent years [and Hancock being one of four scheduled for release this summer alone] many of you might be thinking to take a pass on Hancock. My advice; don't.
I found Hancock made up for Smith last film, the huge miss 'I am Legend' with this tale about an apathetic 'last of his kind' uberman struggling to find his place and to accept his purpose among humanity.
Hancock has more substance than would be normally expected for a summer blockbuster without taking itself too seriously. Although Hancock doesn't come anywhere close to the new standard set by box office monster 'Iron Man' for comic book/superhero themed flicks, I think that Hancock easily outdid the other Marvel release 'Incredible Hulk'.
Hancock has just about everything that one could want in an enjoyable movie, and the ladies can look forward to some shots of a half naked Smith [sorry guys Charlize Theron doesn't go anywhere near T&A].
Labels: Hancock, Marc Gibson, review, Will Smith
Jun 18, 2008
STUFF: J. J. Abrams to make movie about NY apartment
I can't remember seeing any movies recently that I considered weird, quirky, or strange. However, that may soon change. J. J. Abrams (Armageddon, Star Trek and more) has snapped up the rights to an NY Times article on a weird apartment complete with all sorts of hidden compartments and puzzles.
Sources:
J.J. Abrams To Make Movie About Fantastical New York Apartment (The Underwire from Wired.com)
J. J. Abrams (Filmography) (Wikipedia)
Sources:
J.J. Abrams To Make Movie About Fantastical New York Apartment (The Underwire from Wired.com)
J. J. Abrams (Filmography) (Wikipedia)
Labels: J. J. Adams, movies, stuff
Jun 15, 2008
REVIEW: Indiana Jones and the Kingdom of the Crystal Skull
(Movie poster image from Wikipedia)
Before watching the fourth Indy film, I wanted to reacquaint myself with the previous movies. After all, Indy's last appearance on the big screen was way back in '89. After watching almost half an hour of 'Raiders of the Lost Ark' a few weeks ago, I gave up. As much as I like all of the Indy films, there is a definite amount of predictability in all of them and the thought of sitting through it all back-to-back (or even spaced out over a few days) was a bit to much.
I don't think that Crystal Skull was any better than the first three. In fact, Indy, to me, seemed a bit 'toned' down in this one. One of the most interesting scenes involved him surviving a nuke explosion by hiding in a refrigirator and battling a soldier while surrounded by man-eating ants. The fact that they introduced his son 'Mutt(???),' played by Shia LaBeouf, as well as the reintroduction of 'Marion,' stole more of Indy's thunder (even if those characters were central to the film).
That aside, it was nice to see some familiar bits. Prof. Indy teaching in his predominantly female-filled class (remember the bit from 'Raiders of the Lost Ark' with all the girls staring at him and one chick in particular that wrote LOVE YOU on her eye-lids and Indy's response when she saw her blink? LOL!). Indy's distaste of snakes was also shown as he was forced to use one as a rope.
While Sean Connery did not return, his presence was felt. Early in the movie Indy mentions that his dad had passed and looks at a picture of him on his desk. Beyond that, there was a Skulls scene which was very similar to a scene with Connery in 'The Hunt for Red October.' Also, Karen Allen reprising her role as 'Marion,' Indy's sweetie from the first movie (and the best IMHO). That was a good move. It would've been nice to see 'Dr. Marcus Brody' (unfortunately Denholm Elliot passed away in '92) and 'Sallah' (John Rhys-Davies). Both of them were in 'Raiders' and 'Last Crusade.'
The bit with the map and line as they travelled from one point to another was nice, as well as The Ark putting in an appearance. Apparently, it was destroyed in some scuffle in the warehouse at the beginning of Skulls (I seemed to have missed this scene). I had thought that The Ark would be central in this film since they re-visted the cavernous government warehouse. Instead, viewers had to make do with the Alien theme (yawn). One scene where Indy & Co. were in a cave and looking at paintings on a wall reminded me of Stargate (Alien civilizations coming to Earth to teach/train people). Best of all, I think, in the familiar-things-department was Indy's fear of snakes which was obvious in Crystal Skulls.
As was the case with 'Temple of Doom' where Indy et al., jumped out of a plane in an inflatable life raft and landed on a snow-covered hill (without injury of death), Crystal Skull was not to be outdone in terms of ridiculous scenes. Indy, in between Marion and Mutt, shot off a missle-launcher and took out some huge forest-munching machine which exploded and sent a chunk of debri straight through Indy's truck (almost slicing it in half) without so much as it exploding and hurting Indy and crew, or breaking down on the side of the road.
Suspension of disbelief, folks.
But where to from here? Hopefully this will be the last film in the series. I was worried for a moment near the end. Indy's hat blew into the church and Mutt reached for it only to have it taken away (and rightly so!) by Indy. I'm hoping this is a sign that there won't be anymore movies (especially with Indy's son).
I gave Indy and the Skulls a 'C+'.
(Movie poster image from Wikipedia)
Before watching the fourth Indy film, I wanted to reacquaint myself with the previous movies. After all, Indy's last appearance on the big screen was way back in '89. After watching almost half an hour of 'Raiders of the Lost Ark' a few weeks ago, I gave up. As much as I like all of the Indy films, there is a definite amount of predictability in all of them and the thought of sitting through it all back-to-back (or even spaced out over a few days) was a bit to much.
I don't think that Crystal Skull was any better than the first three. In fact, Indy, to me, seemed a bit 'toned' down in this one. One of the most interesting scenes involved him surviving a nuke explosion by hiding in a refrigirator and battling a soldier while surrounded by man-eating ants. The fact that they introduced his son 'Mutt(???),' played by Shia LaBeouf, as well as the reintroduction of 'Marion,' stole more of Indy's thunder (even if those characters were central to the film).
That aside, it was nice to see some familiar bits. Prof. Indy teaching in his predominantly female-filled class (remember the bit from 'Raiders of the Lost Ark' with all the girls staring at him and one chick in particular that wrote LOVE YOU on her eye-lids and Indy's response when she saw her blink? LOL!). Indy's distaste of snakes was also shown as he was forced to use one as a rope.
While Sean Connery did not return, his presence was felt. Early in the movie Indy mentions that his dad had passed and looks at a picture of him on his desk. Beyond that, there was a Skulls scene which was very similar to a scene with Connery in 'The Hunt for Red October.' Also, Karen Allen reprising her role as 'Marion,' Indy's sweetie from the first movie (and the best IMHO). That was a good move. It would've been nice to see 'Dr. Marcus Brody' (unfortunately Denholm Elliot passed away in '92) and 'Sallah' (John Rhys-Davies). Both of them were in 'Raiders' and 'Last Crusade.'
The bit with the map and line as they travelled from one point to another was nice, as well as The Ark putting in an appearance. Apparently, it was destroyed in some scuffle in the warehouse at the beginning of Skulls (I seemed to have missed this scene). I had thought that The Ark would be central in this film since they re-visted the cavernous government warehouse. Instead, viewers had to make do with the Alien theme (yawn). One scene where Indy & Co. were in a cave and looking at paintings on a wall reminded me of Stargate (Alien civilizations coming to Earth to teach/train people). Best of all, I think, in the familiar-things-department was Indy's fear of snakes which was obvious in Crystal Skulls.
As was the case with 'Temple of Doom' where Indy et al., jumped out of a plane in an inflatable life raft and landed on a snow-covered hill (without injury of death), Crystal Skull was not to be outdone in terms of ridiculous scenes. Indy, in between Marion and Mutt, shot off a missle-launcher and took out some huge forest-munching machine which exploded and sent a chunk of debri straight through Indy's truck (almost slicing it in half) without so much as it exploding and hurting Indy and crew, or breaking down on the side of the road.
Suspension of disbelief, folks.
But where to from here? Hopefully this will be the last film in the series. I was worried for a moment near the end. Indy's hat blew into the church and Mutt reached for it only to have it taken away (and rightly so!) by Indy. I'm hoping this is a sign that there won't be anymore movies (especially with Indy's son).
I gave Indy and the Skulls a 'C+'.
Labels: Harrison Ford, Indiana Jones, Karen Allen, review, Shia LaBeouf
Jun 6, 2008
STUFF: Transformers 2
The recent Transformers movie was not all that. Even with the cool visuals and that cutie Megan Fox, it still wasn't enough (IMHO). This, for me, was because of the animated 'Transformers: The Movie' (yes, there was an animated movie back in 1986). Now That was a Transformers movie. I was hoping that they'd do the same thing, but only in 'live-action' form this time around.
Enough of that. If you're a Transformers fan, click here for info on 'Transformers 2: Revenge Of The Fallen' (something about the identity of a new Transformer?) and also, a pic of 'ARCEE,' a female that transforms into a sweet looking motorcycle.
Sources:
Identity of New Transformers Robot in Transformers 2? (LatinoReview.com)
Enough of that. If you're a Transformers fan, click here for info on 'Transformers 2: Revenge Of The Fallen' (something about the identity of a new Transformer?) and also, a pic of 'ARCEE,' a female that transforms into a sweet looking motorcycle.
Sources:
Identity of New Transformers Robot in Transformers 2? (LatinoReview.com)
Labels: stuff, Transformers, Transformers 2
Jun 4, 2008
STUFF: One side order of move credits please, extra long!
Movie credits. Some of you may have stayed in your seats until they scrolled off the screen, while others may have bailed as soon as it was obvious that the movie was wrapping-up.
But have you ever wondered how long a movie credit was? Not in terms of the time it took to scroll from start to finish, but its length when placed side-by-side with other credits. No? Well someone did.
This is what it looks like when you place the movie credits from 'Modern Times' (never heard of it), 'Casablanca,' 'On the Waterfront,' 'The Graduate,' and 'Star Wars,' next to the movie credits of 'LOTR: ROTK':
(Source: The New York Times)
But have you ever wondered how long a movie credit was? Not in terms of the time it took to scroll from start to finish, but its length when placed side-by-side with other credits. No? Well someone did.
This is what it looks like when you place the movie credits from 'Modern Times' (never heard of it), 'Casablanca,' 'On the Waterfront,' 'The Graduate,' and 'Star Wars,' next to the movie credits of 'LOTR: ROTK':
(Source: The New York Times)
Jun 2, 2008
REVIEW: 21
(Move poster image from Wikipedia)
It wasn't my fault. It was Jim Morrison and The Doors that made me do it. I wasn't planning on seeing this movie. I'd just about heard and had enough of the MIT Blackjack team and their shenanigans. Then I saw a trailer for 21, and I heard it. The song playing in the background was, I thought, The Doors singing 'Break On Through (To the Other Side).' After hearing a bit of that and watching the trailer, I was all in. The sad thing is, I never heard the song during, or at the end of, the movie.
'Cole Williams' (Laurence Fishburne) was kick/bad ass, as well as 'Micky Rosa' (Kevin Spacey). As for 'Ben Campbell' (Sturgess) and 'Jill Taylor (Bosworth), well, these two didn't strike me as anything fancy, or oustanding. 'Choi' (Yoo) was funny, 'Kianna' (Lapira) was not. 'Fisher' (Jacob Pitts) may as well have not been there, as he was pretty annoying, but necessary. Special mention goes out to 'Miles Connoly' (Gad) and 'Cam' (Golzari). Their characters should get a movie of their own!
I saw this movie yesterday and I've already forgotten most of it. Please, Hollywood, no more gambling-and-beating-the-house-type movies.
I gave this film a 'C'.
(Move poster image from Wikipedia)
It wasn't my fault. It was Jim Morrison and The Doors that made me do it. I wasn't planning on seeing this movie. I'd just about heard and had enough of the MIT Blackjack team and their shenanigans. Then I saw a trailer for 21, and I heard it. The song playing in the background was, I thought, The Doors singing 'Break On Through (To the Other Side).' After hearing a bit of that and watching the trailer, I was all in. The sad thing is, I never heard the song during, or at the end of, the movie.
'Cole Williams' (Laurence Fishburne) was kick/bad ass, as well as 'Micky Rosa' (Kevin Spacey). As for 'Ben Campbell' (Sturgess) and 'Jill Taylor (Bosworth), well, these two didn't strike me as anything fancy, or oustanding. 'Choi' (Yoo) was funny, 'Kianna' (Lapira) was not. 'Fisher' (Jacob Pitts) may as well have not been there, as he was pretty annoying, but necessary. Special mention goes out to 'Miles Connoly' (Gad) and 'Cam' (Golzari). Their characters should get a movie of their own!
I saw this movie yesterday and I've already forgotten most of it. Please, Hollywood, no more gambling-and-beating-the-house-type movies.
I gave this film a 'C'.
Labels: 21, Jim Sturgess, Kate Bosworth, Kevin Spacey, Laurence Fishburne, review
May 8, 2008
REVIEW: Iron Man
(Movie poster image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
Shell-head seconds anybody?
Movie Review by Marc Gibson
So a buddy of mine requested that I review Iron Man, I wonder if he knows what he's in for?
Iron Man is a movie that I have been waiting to see for the last six months at least and was spoiled for me because of two factors. Crappy seats that would have been more at home in a medieval torture chamber, and the fact that the curtains closed before that much talked about after-credits scene. Sigh.
Now on to our feature presentation. I can honestly say that Iron Man did not disappoint. Others reviews have called Iron Man 'better than the first Spider-man'. True. It has been said that Robert Downey Jr. is Tony Stark. Again true.
Old Shell-head outdid Spidey's first flick with a better [IMHO] comic-to-screen translation. Spider-man was plagued by a number of changes that were created to aid the translation [anyone remember that little issues about changing mechanical web-shooters to organic], and odd casting choices [Kirsten Dunst as Mary Jane-Watson, really?] and costume picks that are still questionable to this day.
Iron Man had none of these issues. Using Afghanistan as a main plot point differed from the comic book origin but was seamlessly done while giving the movie a poignant scene of reality. The entire cast performed smartly and in the case of Gwyneth Paltrow, with just enough sass. The cast was overshadowed [not complaining!] by RDJ easily making the role of Stark his with a movie dominating performance [Tom Cruise my ass!]. The Mark II armour especially looked like it stepped straight off the pages of the comics to look unbelievably cool and tantalisingly real.
The dialogue throughout remains for me one of the best in any contemporary comic book movie. Although RDJ dominated the screen time I didn't get tired of him because of his smooth delivery of the snappy and witty well-written dialogue. Somebody get that man an Oscar.
In short, this movie should make even comic book fanboys [and girls] happy, being one of the first comic book movies that rightly and honestly deserves a sequel. The well directed action [Jon Favreau take a bow] and RDJ-led acting is a joy to watch for anybody, even those who have never put the words 'Iron Man' and 'comic book' together in the same sentence. Just get better seats. And if they close the curtains before that after-credits scene demand your money back.
(Movie poster image from Wikipedia)
Note: The following review was submitted by Marc Gibson.
Shell-head seconds anybody?
Movie Review by Marc Gibson
So a buddy of mine requested that I review Iron Man, I wonder if he knows what he's in for?
Iron Man is a movie that I have been waiting to see for the last six months at least and was spoiled for me because of two factors. Crappy seats that would have been more at home in a medieval torture chamber, and the fact that the curtains closed before that much talked about after-credits scene. Sigh.
Now on to our feature presentation. I can honestly say that Iron Man did not disappoint. Others reviews have called Iron Man 'better than the first Spider-man'. True. It has been said that Robert Downey Jr. is Tony Stark. Again true.
Old Shell-head outdid Spidey's first flick with a better [IMHO] comic-to-screen translation. Spider-man was plagued by a number of changes that were created to aid the translation [anyone remember that little issues about changing mechanical web-shooters to organic], and odd casting choices [Kirsten Dunst as Mary Jane-Watson, really?] and costume picks that are still questionable to this day.
Iron Man had none of these issues. Using Afghanistan as a main plot point differed from the comic book origin but was seamlessly done while giving the movie a poignant scene of reality. The entire cast performed smartly and in the case of Gwyneth Paltrow, with just enough sass. The cast was overshadowed [not complaining!] by RDJ easily making the role of Stark his with a movie dominating performance [Tom Cruise my ass!]. The Mark II armour especially looked like it stepped straight off the pages of the comics to look unbelievably cool and tantalisingly real.
The dialogue throughout remains for me one of the best in any contemporary comic book movie. Although RDJ dominated the screen time I didn't get tired of him because of his smooth delivery of the snappy and witty well-written dialogue. Somebody get that man an Oscar.
In short, this movie should make even comic book fanboys [and girls] happy, being one of the first comic book movies that rightly and honestly deserves a sequel. The well directed action [Jon Favreau take a bow] and RDJ-led acting is a joy to watch for anybody, even those who have never put the words 'Iron Man' and 'comic book' together in the same sentence. Just get better seats. And if they close the curtains before that after-credits scene demand your money back.
Labels: Iron Man, Marc Gibson, review, Robert Downey Jr.
May 5, 2008
REVIEW: Shutter
(Movie poster image from Wikipedia)
Note: The following review was submitted by Aguin.
Shutter.
Synopsis:
A newly wed young couple move from America to Japan only to find them selves on the receiving end of a haunting. The ghost is usually caught in photos, giving the movie its name.
The story starts off idyllically as most horrors do but once the protagonists reach Japan things start to jump. The wife (Rachael Taylor) begins to investigate their "spoiled" photos after some one points out that they are spirit photographs. It is her belief that the car accident she and her husband (Joshua Jackson) were in is the cause of this haunting. She tries to involve her husband in the investigation but after a great scene with a local medium he refuses to dig any further. Undaunted, she continues to keep looking and through the length of the movie she uncovers an unexpected tale of loss, shame and unrequited love.
The visual effects of the film are as good as any movie out there but the most significant difference in this tale is that the spine tingling parts of the film come from simply good story telling and not over the top special effects. The downside was that ghost was inconsistent in its hauntings, scaring one person to suicide then outright murdering another, plus one wonders why it waited so long to extract its revenge. The plot was also somewhat predictable but entertaining none the less, the film's climax.
Over all the movie was an enjoyably good scare that won't keep you up at night wondering if you'll be next.
I give it 3 out of 5 stars.
(Movie poster image from Wikipedia)
Note: The following review was submitted by Aguin.
Shutter.
Synopsis:
A newly wed young couple move from America to Japan only to find them selves on the receiving end of a haunting. The ghost is usually caught in photos, giving the movie its name.
The story starts off idyllically as most horrors do but once the protagonists reach Japan things start to jump. The wife (Rachael Taylor) begins to investigate their "spoiled" photos after some one points out that they are spirit photographs. It is her belief that the car accident she and her husband (Joshua Jackson) were in is the cause of this haunting. She tries to involve her husband in the investigation but after a great scene with a local medium he refuses to dig any further. Undaunted, she continues to keep looking and through the length of the movie she uncovers an unexpected tale of loss, shame and unrequited love.
The visual effects of the film are as good as any movie out there but the most significant difference in this tale is that the spine tingling parts of the film come from simply good story telling and not over the top special effects. The downside was that ghost was inconsistent in its hauntings, scaring one person to suicide then outright murdering another, plus one wonders why it waited so long to extract its revenge. The plot was also somewhat predictable but entertaining none the less, the film's climax.
Over all the movie was an enjoyably good scare that won't keep you up at night wondering if you'll be next.
I give it 3 out of 5 stars.
Labels: Aguin, horror, Joshua Jackson, Rachael Taylor, review, Shutter
Apr 27, 2008
REVIEW: The Darjeeling Limited
(Movie poster image from Wikipedia)
In a hurry? No worries, I'll be brief: If you're a fan of Wes Anderson and you liked Rushmore, The Royal Tenenbaums and The Life Aquatic with Steve Zissou (I've yet to see Bottle Rocket), you'll probably like The Darjeeling Limited as well.
As is common in most Anderson films, this one comes complete with several dysfunctional characters, impermissible love and complex relationships. The human condition (almost) on the screen for your consideration, entertainment and maybe even, enjoyment.
A word of caution: The Darjeeling Limited is not a comedy, even with the presence of Owen Wilson. In fact, many of Anderson's films (to date), are not comedies. Instead, what he presents us with are movies that may be described as being 'serious' comedies, or comedy/drama, or drama/comedy, or an odd way of looking at ordinary lives (with a pinch of comedy thrown in to make it watchable).
In his latest film, Anderson introduces us to three brothers who travel across India. The trio have lost touch with each other since their father's funeral. Wilson's character (a somewhat annoying, know-it-all, big brother type who loves to make agreements) gets everyone together on a train, The Darjeeling Limited, for a bonding and spiritual trip (there is also another reason which is alluded to as the film progresses).
Even though a good portion of the film takes place on a train, viewers need not resort to the Discovery Channel, or National Geographic for a glimpse of India. It begins with an almost care-chase like scene featuring Bill Murray ('The Businessman'), trapped like a caged animal in the backseat of a taxi. The driver, an Indian gentleman wearing a turban on his head and a zen-like apperance on his face, skillfully and calmly pilots his high-speed craft through narrow, crowd, motor vehicle and cow-filled streets while Murray hangs on for dear life.
The taxi scene, for me, is one of the most enjoyable ones. I visited India years ago and what I saw on the screen was familiar. Narrow, crowded streets, insane driving and the occasional cow in the road. Eventually, the taxi screeches to a halt at the train station and we see Murray running to catch his train (The Darjeeling Limited which has already begun to pull alway).
While running, he is overtaken by Peter (Brody) who successfully manages to climb aboard and looks back at Murray who has given up the chase and is left behind on the platform. Unfortunately, the significance of Murray's character is lost on me. Maybe it was just a cameo, like the Old Man played by Kumar Pallana (who is a regular in a number of Anderson's films).
There are other memorable scenes as well. Jack's (Schwartzman) brief and complicated encounters with Rita (Amara Karan, a definite cutie!), a.k.a 'sweet lime,' the blatantly un-Indian Indian, and the silly shenanigans involving the three brothers and Rita's apparent boyfriend (Waris Ahluwalia), The Chief Steward of the train, and a rigid disciplinarian if ever there was one. Also, the visits to the market and to the temple(s) by the brothers offer one or two light moments in contrast to the tragic river and subsequent village scenes (however, from that point on, the brothers appear to be closer to each other).
In the end, the brothers find what I think they are looking for: peace, answers, each other, family, trust, friendship and closure. We see them exit our lives in much the same way Peter entered: via The Darjeeling Limited. However, as they run for the train, they physically (and emotionally) toss their (father's) baggage so that they can jump aboard before the train pulls away forever.
I gave this film a 'B'.
(Movie poster image from Wikipedia)
In a hurry? No worries, I'll be brief: If you're a fan of Wes Anderson and you liked Rushmore, The Royal Tenenbaums and The Life Aquatic with Steve Zissou (I've yet to see Bottle Rocket), you'll probably like The Darjeeling Limited as well.
As is common in most Anderson films, this one comes complete with several dysfunctional characters, impermissible love and complex relationships. The human condition (almost) on the screen for your consideration, entertainment and maybe even, enjoyment.
A word of caution: The Darjeeling Limited is not a comedy, even with the presence of Owen Wilson. In fact, many of Anderson's films (to date), are not comedies. Instead, what he presents us with are movies that may be described as being 'serious' comedies, or comedy/drama, or drama/comedy, or an odd way of looking at ordinary lives (with a pinch of comedy thrown in to make it watchable).
In his latest film, Anderson introduces us to three brothers who travel across India. The trio have lost touch with each other since their father's funeral. Wilson's character (a somewhat annoying, know-it-all, big brother type who loves to make agreements) gets everyone together on a train, The Darjeeling Limited, for a bonding and spiritual trip (there is also another reason which is alluded to as the film progresses).
Even though a good portion of the film takes place on a train, viewers need not resort to the Discovery Channel, or National Geographic for a glimpse of India. It begins with an almost care-chase like scene featuring Bill Murray ('The Businessman'), trapped like a caged animal in the backseat of a taxi. The driver, an Indian gentleman wearing a turban on his head and a zen-like apperance on his face, skillfully and calmly pilots his high-speed craft through narrow, crowd, motor vehicle and cow-filled streets while Murray hangs on for dear life.
The taxi scene, for me, is one of the most enjoyable ones. I visited India years ago and what I saw on the screen was familiar. Narrow, crowded streets, insane driving and the occasional cow in the road. Eventually, the taxi screeches to a halt at the train station and we see Murray running to catch his train (The Darjeeling Limited which has already begun to pull alway).
While running, he is overtaken by Peter (Brody) who successfully manages to climb aboard and looks back at Murray who has given up the chase and is left behind on the platform. Unfortunately, the significance of Murray's character is lost on me. Maybe it was just a cameo, like the Old Man played by Kumar Pallana (who is a regular in a number of Anderson's films).
There are other memorable scenes as well. Jack's (Schwartzman) brief and complicated encounters with Rita (Amara Karan, a definite cutie!), a.k.a 'sweet lime,' the blatantly un-Indian Indian, and the silly shenanigans involving the three brothers and Rita's apparent boyfriend (Waris Ahluwalia), The Chief Steward of the train, and a rigid disciplinarian if ever there was one. Also, the visits to the market and to the temple(s) by the brothers offer one or two light moments in contrast to the tragic river and subsequent village scenes (however, from that point on, the brothers appear to be closer to each other).
In the end, the brothers find what I think they are looking for: peace, answers, each other, family, trust, friendship and closure. We see them exit our lives in much the same way Peter entered: via The Darjeeling Limited. However, as they run for the train, they physically (and emotionally) toss their (father's) baggage so that they can jump aboard before the train pulls away forever.
I gave this film a 'B'.
Labels: Adrien Brody, comedy, drama, India, Jason Schwartzman, Owen Wilson, review, The Darjeeling Limited, Wes Anderson
Apr 21, 2008
STUFF: Lord of the Rings location tours
Die-hard LOTR fans take note: The folks over at Southern Lakes Sightseeing, a New Zealand based outfit, are offering Lord of the Rings location tours:
"We are Lord of the Rings location tour specialists. Our location tours are guided by great storytellers who bring the scenery alive with their accounts of the scenes shot there and many props from the movies are available to handle and photograph. We were one of the original companies in New Zealand to begin LOTR touring and we are endorsed by Ian Brodie, the LOTR guidebook author. Our LOTR day tours have been ranked as the third best activity in New Zealand by the clients of the top Condenast Travel agent (in the States) specialising in New Zealand travel."
Sources:
Lord of the Rings tours New Zealand. Queenstown is Lord of the Rings country (Southern Lakes Sightseeing)
"We are Lord of the Rings location tour specialists. Our location tours are guided by great storytellers who bring the scenery alive with their accounts of the scenes shot there and many props from the movies are available to handle and photograph. We were one of the original companies in New Zealand to begin LOTR touring and we are endorsed by Ian Brodie, the LOTR guidebook author. Our LOTR day tours have been ranked as the third best activity in New Zealand by the clients of the top Condenast Travel agent (in the States) specialising in New Zealand travel."
Sources:
Lord of the Rings tours New Zealand. Queenstown is Lord of the Rings country (Southern Lakes Sightseeing)
Apr 17, 2008
STUFF: Watching movies, in or out?
Where do you watch your movies, in the privacy of your own home, or at the cinema with the rest of the masses?
(Image from Douglas County Georgia website)
I prefer watching movies at a drive-in (there's only one where I live). For me, it combines the privacy and intimacy of home viewing (you're in your own car with your own space), with the excitement and viewing pleasure of a typical big screen cinema (complete with decent audio via your car radio). There are other 'benefits' to be considered as well.
Specifically, certain levels of 'intimacy' and 'privacy' can be shared between you and a friend. No drive-in? No problem. A walk-in cinema will allow you to enjoy the pleasures of a big screen with big sound, but at the expense of intimacy and privacy. This might be a problem unless you and your friend are exhibitionists and are not bothered by people staring at you rather than the screen.
(Image from The World of Cornelia Funke website)
In both cases however, you have to contend with everyone else around you. For example, while at the drive-in and surrounded by a multitude of cars, owners may suddenly start honking away whenever an exciting moment occurs during the movie. The cinema is no different, in fact, it may be worse as you have zero privacy and are completely exposed. Thus, loud noises, hoots and hollers, the odd cellphone ringing and someone getting up to squeeze past you are all issues that may disrupt your movie viewing experience.
But at least you're protected from the elements. At a drive-in (well, the one that I go to anyway) a heavy downpour will force you to engage your windscreen wipers. As a consequence, you 'benefit' from the added 'visual effects' brought about by the to and fro swishing of the wipers (your ears are not left out either as you have to put with the noises the wipers make). In addition, with your windows almost completely rolled up (to avoid getting soaked), you now have a good idea as to how a dog stuck in a car feels like while waiting for its owner to return.
Maybe you're not one for venturing outside to see a movie. Maybe because it's a bit expensive. According to the National Association of Theatre Owners (NATO) website, the average (U.S.) price for a movie ticket in 2007 was $6.88. There's also the cost of food and drink to be considered, as well as the cost of getting there (unless you're within walking distance).
To be continued...
(Image from Douglas County Georgia website)
I prefer watching movies at a drive-in (there's only one where I live). For me, it combines the privacy and intimacy of home viewing (you're in your own car with your own space), with the excitement and viewing pleasure of a typical big screen cinema (complete with decent audio via your car radio). There are other 'benefits' to be considered as well.
Specifically, certain levels of 'intimacy' and 'privacy' can be shared between you and a friend. No drive-in? No problem. A walk-in cinema will allow you to enjoy the pleasures of a big screen with big sound, but at the expense of intimacy and privacy. This might be a problem unless you and your friend are exhibitionists and are not bothered by people staring at you rather than the screen.
(Image from The World of Cornelia Funke website)
In both cases however, you have to contend with everyone else around you. For example, while at the drive-in and surrounded by a multitude of cars, owners may suddenly start honking away whenever an exciting moment occurs during the movie. The cinema is no different, in fact, it may be worse as you have zero privacy and are completely exposed. Thus, loud noises, hoots and hollers, the odd cellphone ringing and someone getting up to squeeze past you are all issues that may disrupt your movie viewing experience.
But at least you're protected from the elements. At a drive-in (well, the one that I go to anyway) a heavy downpour will force you to engage your windscreen wipers. As a consequence, you 'benefit' from the added 'visual effects' brought about by the to and fro swishing of the wipers (your ears are not left out either as you have to put with the noises the wipers make). In addition, with your windows almost completely rolled up (to avoid getting soaked), you now have a good idea as to how a dog stuck in a car feels like while waiting for its owner to return.
Maybe you're not one for venturing outside to see a movie. Maybe because it's a bit expensive. According to the National Association of Theatre Owners (NATO) website, the average (U.S.) price for a movie ticket in 2007 was $6.88. There's also the cost of food and drink to be considered, as well as the cost of getting there (unless you're within walking distance).
To be continued...
